I know—we all know—that it’s been a long time since I rapped at ya. So long. Over a year.
So, now I’m rappin’ at ya.
In that time, I:
- Relearned to type on a weird keyboard to avoid pain
- Quit my job because it was using up my life in multiple terrible ways
- Got through a pandemic wave, maybe, like the rest of you? (Hoping there’s no “This user has died” autoreplies to this email.)
(I wrote about this stuff in my personal newsletter in gruesome detail.)
A tiny story
I also worked on a few projects when I could. One of them is this animated story piece that I made for Taper, a nifty zine packed with strange bits of web art. Taper is enjoyably disorienting and has a very different texture from the contemporary web. Every piece in Taper is required to be 2048 bytes or less, which is a big factor in the strangeness.
My piece is about beings that do not have the same osmosed cultural knowledge about dice that we humans in 2021 do:
To honor the spirit of the zine, I minified* the code myself, instead of using a standard industrial tool like Rollup or UglifyJS. It feels appropriately handmade that way.
Keeping it under 2 KB—that made me sweat. After the core of it was working, every revision felt like stuffing yet another object into a closet so burstingly full of junk that cracking it open the wrong way could drop a bunch of wrenches and bowling balls on my head.
There were a few things I got out of doing it this way, though. I talked about some things that I learned about minification on this Small Findings episode. (It’s near the end; the rest of it is about my experience of getting paid for freelance art.)
Also, I feel that I would have coded it differently (possibly for the worse) had I been writing it in a normal, readable way.
But I can’t prove that. Regardless, I appreciate the directness and total intimacy of programming this way. There were no parts of this program for which I had to say, “I don’t know what’s going on here, but I (have to) trust the library I’m using.”
Here’s the source. You can see its devolution across commits.
The piece is in some ways an outgrowth of Slop Cube, a web app/bot that is always drawing cubes using 2D methods, often wonkily. Whereas Slop Cube draws them instantaneously, the being in Reconstructing draws the die step-by-step because it’s figuring it out as it goes.
The story draws on human experiences with things they don’t understand. The beings conjecture about how the die works the way we do about the construction of the pyramids.
Things I keep doing
- Small Findings, the podcast I started back when I last emailed you, has 19 episodes now.
- I keep blogging in large and small formats.
- Here is an article about playing with D&D with a six-year-old, a thing I started doing during the pandemic, along with an adventure module.
- These bots continue as always. Hit me up if you want to be on their mailing list, which goes out three times a week.
- You Never See It Bot was a bot I started in December when Katt commented “They call it darjeeling, but you never see it darjeel.” My friend Wayne made the emoji the bot uses to deliver its lines.
I mostly don’t know what you folks have been up to because I’m not on the social medias. So let me know!